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MasterVoices Presents

Let ‘Em Eat Cake

By George & Ira Gershwin and Book by George S. Kaufman & Morrie Ryskind

November 21, 2019 at 7:00PM | Carnegie Hall

After the resounding success of their 1931 hit, Of Thee I Sing (performed by MasterVoices in 2017), the Gershwins re-teamed with librettists George S. Kaufman and Morrie Ryskind for this madcap and blisteringly dark sequel. Let ‘Em Eat Cake picks up with the same motley crew, four years later – President Wintergreen has lost re-election, stages a military coup, fires the Supreme Court, and paints the White House blue.

MasterVoices Presents

Lady in the Dark

By Kurt Weill, Ira Gershwin, and Moss Hart

April 25, 2019 at 8:00PM
April 26, 2019 at 8:00PM
April 27, 2019 at 2:00PM
New York City Center

In 1941, the groundbreaking psychological thriller Lady in the Dark helped usher in a new era of innovation in musical theater thanks to its spectacular creative team of Gershwin, Hart, and Weill. Now, director and conductor Ted Sperling joins forces with choreographer Doug Varone and a team of top designers from the theater, dance, and fashion worlds to bring this seminal piece of theater history lavishly to life once more. Tony® winner Victoria Clark stars as Liza, a successful magazine editor wrestling with her inner demons and desires. Not seen in New York since City Center’s inaugural Encores! season in 1994, this physically expressive concert staging will be presented as part of NYCC’s 75th Anniversary Season.

MasterVoices Around Town

Of Thee I Sing at Tilles Center

November 4, 2017 at 8:00PM | Tilles Center for the Performing Arts

MasterVoices will reprise its Carnegie Hall presentation of Of Thee I Sing  at Tilles Center in Long Island.

MasterVoices Presents

Knickerbocker Holiday

By Kurt Weill and Maxwell Anderson

January 25, 2011 at 8:00PM
January 26, 2011 at 8:00PM
Alice Tully Hall

Kurt Weill and Maxwell Anderson teamed up for the first time to create this delightful romantic comedy.  First performed in 1938 with Walter Huston in the role of Peter Stuyvesant, the work is one of Weill’s deft hybrid theater pieces which lies somewhere between operetta and musical theater, and also contains bits of political satire.